Don Josephus Raphael Eblahan
DirectorHannah Schierbeek, Alemberg Ang
ProducerPhilippines
CountryLogline
An earthquake unravels the lives of two runaway land defenders turned rodeo stars haunted by their tragic past.
Short Synopsis
After escaping the north for crimes of ‘eco-terrorism’, Esther and Tony reinvent themselves as rodeo stars in the south. Despite their new identities, they wrestle with the ghosts of their past. Their rodeo community faces a threat from land grabbers intent on demolishing the stadium they call home. Torn between anonymity and fighting for their community, the couple chooses passive resistance, opting for peace over confrontation.
To save their stadium, they stage a rodeo event to raise funds to acquire the land. As Esther rallies a crowd and Tony trains his body, their efforts are sabotaged when Tony’s horse vanishes. Tony discovers that their landlord, driven by madness, has killed his horse upon uncovering their true identities. Enraged, Tony kills him just before the performance. Realizing what he's done, Esther rejects Tony, casting him into the forest to never return again. This fateful night triggers a pulse in the land: an earthquake will soon destroy their town.
Six years later, the cowboys acquire the land but at the expense of their culture's downfall and the stadium’s decay. As mudslides and flooding plague the rodeo, Esther struggles as a single mother, now working as a mountain guide. In the forest, Tony lives reclusively in a cave, taming his cosmic loneliness. Desperate to reclaim her past life, Esther rebuilds her estranged relationship with the cowboys, developing an unlikely romance with a cowgirl named Juana. Tony, upon discovering wild horses in the forest, forms an esoteric connection with them, warning him of the impending disaster. He must act with haste. As the earthquake strikes and the stadium collapses, Esther searches for her missing daughter, believing she was taken by Tony. But before she can leave, the building collapses, burying everyone beneath.
In the aftermath, Esther recovers in the hospital as news reports the unearthing of Tony, revealing his past as an ‘eco-terrorist’. Facing capture, Esther escapes, only to be confronted by a wild horse compelling her to make a brave choice: she rides to the police station to confront Tony. Now handcuffed together, they silently reunite. Broken but resolute, Esther carries an injured Tony to the police van—one final rodeo as they face justice together. As the remaining cowboys journey the mountains, Juana finds Esther’s daughter safe in Tony’s cave, spared from the earthquake. There, the child reveals her connection with wild animals, harnessing the voices of the land and its creatures.
Don Josephus Raphael Eblahan
Don Josephus Raphael Eblahan (b.1996, Philippines) is an independent filmmaker born of Ifugao and Visayan descent. Eblahan’s works explore themes of trauma, spirituality, and nature told through the cosmic lens of post-colonial spaces and Indigenous identities. His works have been shown in various film festivals around the world such as: Sundance Film Festival, Locarno Film Festival, The Museum of Modern Art, and Clermont-Ferrand International Short Film Festival where he won the International Student Jury Prize as well as a Special Mention of the International Jury for his 2020 short film Hilum.
In 2022, his film The Headhunter’s Daughter was awarded the Grand Jury Prize at the 2022 Sundance Film Festival and the Gold Hugo at the Chicago International Film Festival. In 2024, the film Cold Cut, co-directed with Siyou Tan, premiered in the Festival de Cannes’ Directors’ Fortnight under the ‘Directors’ Factory’ programme.
In 2023, he was selected for the Cannes Cinefondation Residence program, Berlinale’s Script Station, Locarno’s Filmmakers Academy and Sundance Institute’s Native Lab. He is currently developing his first feature film, Hum.
Hannah Schierbeek
Alemberg Ang
Daluyong Studios aims to produce films that provide a voice to marginalized and underrepresented communities. Working with new and young filmmakers, it has tackled various advocacies such as violence against women, LGBTQ rights, mental health and social justice. These productions have won local and international awards after premiering in festivals in Cannes, Sundance, Toronto, Busan, Torino, among others. Over the past few years, the company has started developing international co-productions that have participated at Cinemart, Cannes Cinefondation Atelier, IDFA Forum, Tribeca Film Institute Network, Berlinale Talents Project Market, Locarno Open Doors, and La Fabrique Cinéma du Monde.