Atsuko Hirayanagi
DirectorWilfredo Manalang, Eiko Mizuno-Gray
ProducerPhilippines
CountryLogline
A homeless Japanese man in Manila joins an environmental charity offering a chance to rebuild his life by planting trees in deforested areas of the Philippines, only to discover that it is a sinister cult serving an ancient forest spirit.
Short Synopsis
Mitsuo, a middle-aged Japanese man living on the streets of Manila, joins an environmental charity in hopes of earning his way back to Japan. He travels to a remote compound on Palawan Island, where he is welcomed into a community dedicated to environmental restoration by planting trees in deforested parts of the island.
Upon arriving at the charity’s compound, Mitsuo initially finds solace in the community’s camaraderie and their environmental mission. However, as he integrates more deeply, he uncovers unsettling rituals and mysterious disappearances among the members. Drawn to Amara, the enigmatic leader who preaches peace through nature, Mitsuo becomes increasingly entangled in their dark practices. Despite his growing unease, Mitsuo's desire for belonging and Amara's approval prevents him from attempting to escape.
Amara instructs Mitsuo to return to Japan and reconcile with his family, knowing full well that he would come back to her. He returns to Japan, only to face ridicule and rejection. Feeling even more isolated than when he left, Mitsuo returns to his one true ‘family’—the cult of Amara. As soon as he stands before her, he breaks down in tears. Amara slowly embraces him and whispers mysterious chants into his ear. Her ritual-like embrace ignites Mitsuo’s carnal desire, and she takes him lustfully. Mitsuo is now trapped in Amara’s web, convinced that this is where he truly belongs.
The cult’s escalating demands and Mitsuo’s moral turmoil reach their peak when he encounters the malevolent Diwata, the Forest Spirit—the true force behind the cult’s rituals. Horrified by their plan to sacrifice an entire group of illegal loggers, Mitsuo grapples with the choice to flee, submit, or sabotage the cult. Discovering the fate of disloyal cult members, who have been transformed into living trees, shocks him into action. He plots an escape with other disillusioned members, but at the last minute, they betray him and reveal their loyalty to the cult.
Mitsuo faces Amara’s judgment, where his defiance clashes with her conviction. Confronted with his imminent transformation into a tree, Mitsuo seeks solace in Amara’s embrace, choosing to merge with nature rather than resist. In his final moments, he asks Amara for one last embrace—a final wish she grants. As they embrace, the transformation consumes them both, and they are locked together in a frozen embrace.
As the credits roll, cracks form in the tree's trunk, and a naked Amara emerges, even more youthful than before, suggesting her rebirth and the cult's continuing dark cycle.
Atsuko Hirayanagi
Born and raised in Japan, Atsuko Hirayanagi is an award-winning screenwriter and director based in San Francisco. Her debut feature, OH LUCY!, expanded from her student short of the same name. The short film won the Wasserman Award for Best Graduate Film and garnered over 35 awards worldwide, including accolades at the Cannes, Sundance, Chicago, and Toronto International Film Festivals.
The feature-length OH LUCY!, a comedic drama set in both Japan and the US, received the 2016 Sundance/NHK Award for its script. The film was executive produced by Adam McKay and Will Ferrell and was selected for the Cannes Film Festival. It received nominations for Best First Feature and Best Actress at the 2018 Independent Spirit Awards.
In addition to her film work, Hirayanagi is the showrunner of the Amazon Prime 2022 series MODERN LOVE TOKYO. She is represented by United Talent Agency (UTA), a global talent agency based in Beverly Hills, California.
Eiko Mizuno-Gray
Wilfredo Manalang
EIKO MIZUNO-GRAY, Producer
CEO and producer at Loaded Films in Tokyo, with a focus on international co-productions. She has produced Magic Kimono (Latvia-Japan), anthology film Ten Years Japan (Japan-Hong Kong, executive-producer Hirokazu Kore-eda) and Kiyoshi Kurosawa’s To the Ends of the Earth (Japan-Uzbekistan-Qatar). Also worked with show runner Atsuko Hirayanagi on Amazon Prime series Modern Love Tokyo, and produced episode "For 13 Days, I Believed Him" written and directed by Kiyoshi Kurosawa. Plan 75 is her latest production, which won the Camera d'Or Special Mention in the Un Certain Regard section of the 2022 Cannes Film Festival and was Japan’s 2023 Oscar entry. Now developing Chie Hayakawa's second feature Renoir. This spring, she launched Tokyo-based production company, Kinofaction, which aims to focus on minority Japanese co-productions and now developing Atsuko Hirayanagi's The Returning and Kei Ishikawa's The Excursion on its slate for 2025.
WILFREDO MANALANG, Producer
Founder of FUSEE, collaborated on the Cannes 2022-honored film, PLAN 75. Former ABS-CBN and Film Development Council of the Philippines executive, he has recently focused on international co-production and is an alumnus of EAVE Ties That Bind and APOSTLAB. FUSEE, a dynamic content creation group, has co-produced independent hits like BLUE ROOM and TOPAKK (Triggered), the latter premiering at
the 76th Locarno IFF. Their upcoming project, DON’T CRY, BUTTERFLY, a Singapore-Vietnam-Philippines co-production, is set to release in 2024. Currently in production is THE SPLENDOUR OF LIFE, a film to be shot in Canada and the Philippines.